Classicism in Ortega y Gasset: between “culturalism” and “spiritual life”

Authors

DOI:

https://doi.org/10.63487/reo.120

Keywords:

Ortega y Gasset, Clasicism, Neokantism, Culturalism, Spiritual life

Abstract

In this article I try to show that the concept of “classicism” has, from the first philosophy of Ortega, two opposing meanings that precede, on the one hand, the famous term “culturalism”, which the philosopher faces his vital reason; and, on the other hand, the expression "spiritual life", which, in the same raciovitalist period, gives its name to a culture embedded in life. It can be understood, not only that there is a continuity of ideas in the evolution of the concept of “classicism”, but that this concept receives, along the trajectory of Ortega, two opposing meanings and two different projections. This double consideration of classicism will allow us to make some reflections on the role that Neokantism played in Ortega's philosophical thinking, not only in the beginnings of his intellectual career, but also in the periods of maturity.

Downloads

Download data is not yet available.

Author Biography

Inmaculada Murcia Serrano, Universidad de Sevilla

Professor of Aesthetics and Art Theory in the Department of Aesthetics and History of Philosophy at the University of Seville. Director of Fedro. Journal of Aesthetics and Art Theory. Visiting professor at New York University and King's College London. Her current line of research focuses on the philosophy of image, aesthetics and the media, and the modern history of aesthetics. Her publications include La razón sumergida. El arte en el pensamiento de María Zambrano (2009), Agua y destino. Introducción a la estética de Ramón Gaya (2011) and Así son las cosas. Ensayos de estética y periodismo (2017).

References

CEREZO GALÁN, P. (1984): La voluntad de aventura. Barcelona: Ariel.

GUTIÉRREZ POZO, A. (1998): “Epokhé fenomenológica y raciovitalismo”, Contrastes. Revista interdisciplinar de Filosofía, vol. III, pp. 105-122.

JANKÉLÉVITCH, V. (2007): Georg Simmel, filósofo de la vida. Barcelona: Gedisa.

LARRAÍN ACUÑA, H. (1962): La génesis del pensamiento de Ortega. Buenos Aires, Compañía general fabril editora.

MARÍAS, J. (1984): Ortega. Circunstancia y vocación. Madrid: Alianza Universidad.

MOLINUEVO, J. L. (2002): Para leer a Ortega. Madrid: Alianza.

ORRINGER, N. O. (1979): Ortega y sus fuentes germánicas. Madrid: Gredos.

ORTEGA Y GASSET, J. (2004-2019): Obras completas, 10 volúmenes. Madrid: Fundación José Ortega y Gasset / Taurus.

RODRÍGUEZ HUÉSCAR, A. (1982): “La liberación del idealismo en Ortega”, Cuenta y Razón, nº 6.

SAN MARTÍN, J. (1998): Fenomenología y cultura en Ortega. Ensayos de interpretación. Madrid: Tecnos.

SAN MARTÍN, J. (1991): “Ortega, filosofía alemana y postmodernidad”, Ágora (1991), 13-33.

SILVER, P.W. (1978): Fenomenología y Razón Vital. Génesis de Meditaciones del Quijote de Ortega y Gasset. Madrid: Alianza.

WILLEY, T. E. (1978): Back to Kant. The Revival of Kantianism in German Social and Historical Thought, 1860-1914. Detroit: Wayne State University Press.

WÖLFFLIN, H. (1985): Conceptos fundamentales en la Historia del Arte. Madrid: Espasa-Calpe.

ZAMORA BONILLA, J. (2002): Ortega y Gasset. Madrid: Plaza y Janés.

ZOMOSA, H. (1996): La Estética de la Razón Vital (José Ortega y Gasset), Valparaíso: Ediciones Universitarias de Valparaíso de la Universidad Católica de Valparaíso.

Published

2021-11-01 — Updated on 2021-11-01

How to Cite

Murcia Serrano, I. (2021). Classicism in Ortega y Gasset: between “culturalism” and “spiritual life”. Revista De Estudios Orteguianos, (43), 107–129. https://doi.org/10.63487/reo.120

Issue

Section

Articles