Reflections on Ortega’s Justification of Autonomous Art: Eutrapelia and Evasion

Authors

DOI:

https://doi.org/10.63487/reo.529

Keywords:

Ortega y Gasset, Drama, art, autonomy, unreal, to become lost in thought, escape, eutrapely, Aristotle

Abstract

Ortega introduces the art in his metaphysical thought about life as a drama. He emphasizes its condition of autonomous when he writes about art new and the novel. For him (not in a strict sense) the autonomy is a new territory different from the reality where the reader or the spectator moves himself out from his own existence. This kind of escape is: the subject becomes lost in thought (“ensimismarse”) because the art. It (as a justification) refers to the same principles of the forgotten doctrine of eutrapely that considers the entertainment as distension, although it has a new metaphysic presentation.

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Author Biography

Enrique Ferrari, Fundación Escritura(s)

He holds a bachelor's degree in Hispanic Philology and a Ph.D. in Philosophy from the University of Valladolid. His dissertation focused on the justification of avant-garde art based on Ortega’s concept of the autonomy of art. He is currently a professor of philosophy and an opinion columnist for El Norte de Castilla. He has contributed to various publishing projects. His main areas of research include 20th-century Spanish literature, aesthetics, and philosophy. Among his most notable publications are the articles “The Difficult Return to the Cave of Ignatius Reilly” (2009), “Mediterranean Sensibility: Heritage and Balance for a More Vital Reason” (2008), and “Art, the Only Answer to the Blind: Epistemology in Sábato” (2007).

References

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Published

2009-05-01 — Updated on 2009-11-01

How to Cite

Ferrari, E. (2009). Reflections on Ortega’s Justification of Autonomous Art: Eutrapelia and Evasion. Revista De Estudios Orteguianos (Journal of Orteguian Studies), (19), 125–137. https://doi.org/10.63487/reo.529

Issue

Section

Articles