José Ortega y Gasset. Marginalia en Les Fleurs du Mal by Charles Baudelaire
DOI:
https://doi.org/10.63487/reo.42Abstract
Ortega's personal library offers us an exceptionally rich deposit from which to elaborate a concrete genealogy of Ortega's philosophy. The books follow one after the other through the generations, dialoguing with each other and revealing the personal history of Ortega's self-absorption, day after day, year after year -sometimes even specifying the exact date of the reading-, from the comments of the student he was to the harshest criticisms he wrote daily, for himself, until the end of his life. If we publish the annotations and traces of reading that he left in his copy of Les fleurs du mal, it is because the critical reflections sketched by the Madrilenian in the margins of the first poems stand out for their length and theoretical originality among those included in the many books of his library (Baudelaire, circa 1922).Downloads
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References
Baudelaire, C. (circa 1922): Les fleurs du mal. Precedidas de una reseña de Théophile Gautier. París: Calmann-Lévy. 1.ª ed. definitiva de 1868 (1.ª ed. de 1857).
Baudelaire, C. (1982): Las flores del mal. Barcelona: Ediciones Orbis.
Baudelaire, C. (2021): El pintor de la vida moderna. Madrid: Alianza Editorial.
Ortega y Gasset, J. (2004-2010): Obras completas, 10 vols. Madrid: Fundación José Ortega y Gasset / Taurus.
Taylor, C. (1996): Las fuentes del yo. La construcción de la identidad moderna. Bar- celona: Ediciones Paidós.
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Published
2024-05-01 — Updated on 2024-05-01
How to Cite
Ortega Martín, X., & Rodríguez Llorente, J. (2024). José Ortega y Gasset. Marginalia en Les Fleurs du Mal by Charles Baudelaire. Revista De Estudios Orteguianos, (48), 5–26. https://doi.org/10.63487/reo.42
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Archive Documents